Thursday, March 24, 2011
After Rejection, a Rocky Road For Google Settlement
Wednesday, March 23, 2011
The rejected Google e-books settlement: What it means and what comes next
More than a year after giving it preliminary approval, U.S. District Court Judge Denny Chin on Tuesday rejected the Google Books Amendment Settlement Agreement, yet left a door open for the parties to try for a revision. 'The motion for final approval of the ASA is denied, without prejudice to renewal in the event the parties negotiate a revised settlement agreement,' he wrote.
What's more, in his decision, Chin detailed several possible revisions, providing a roadmap for the parties if they intend to attempt to revise the settlement.
Will they? It looks like they may try. ...
"Although I am persuaded that the parties are seeking in good faith to use this class action to create an effective and beneficial marketplace for digital books, I am troubled in several respects," Chin wrote. He brought up several key issues that seemed to point a way toward potential resolution of the agreement, including moving the issue of orphan works and international copyright issues to Congress, privacy concerns and inverting the structure of the ASA so authors interested in participating could opt in, rather than being included by default. ...
Judge Rules Against Google Books Settlement
Wednesday, March 9, 2011
Turow & Authors Guild Not Just Out of Touch on the Subject of eBook Pricing, but also ...
Scott Turow and the Authors Guild Still Don't Get It
Thursday, February 3, 2011
Authors Guild vs. The Free Market
Friday, October 1, 2010
Agents, Publishers, Others Particpate in Useless PW Panel Discussion re: Digital Royalties
It doesn't.
Given how technology levels the playing field, and how the book publishing model has rapidly moved away from traditional print & bind distribution via brick & mortar outlets, the "big six" no longer possess an advantage and are not going to remain the "big six" for long.
As far as royalties go, virtually ALL of the start-ups doing the most innovative new work are exactly where the authors want them to be as regards royalties: 50% of net. A partnership.
But a partnership implies mutual risk. Thus the absence of large royalty advances from the emerging paradigm, which AG exec. director Aiken, as well as agents, clearly don't like, and which goes a long way toward explaining their love/hate relationship with the "bix six."
Tuesday, July 27, 2010
Authors Guild re: Wylie/Amazon
Friday, June 18, 2010
Authors Guild, Turow, Piracy Redux
I do believe that there are markets in which digital book piracy is a net loss - college textbooks may provide the most direct example. But I also believe that there may be markets, and authors, for whom piracy helps improve awareness, trial and paid sales.
That’s why we started studying the impact of piracy on paid sales almost two years ago. On an admittedly limited sample (something we’d like your help to grow), we’ve found an apparent correlation between piracy and subsequent growth in paid sales.
Now, you recently told GalleyCat’s Jason Boog that “…the larger problem for us is the pirating of books”. I ask, simply, “How do you know?”
There are no reliable studies of the impact of piracy in the book business. Because our sample set is limited, I include our own work to date in that bucket. The studies that are cited most often are based on sampling techniques that try to track the instance of piracy, then apply an assumed number for “substitution rates” (lost sales).
The Government Accounting Office recently “assessed the assessments” of digital piracy and found them all lacking. That’s not the final word, but it’s an indication that conclusions drawn on the limited data available are premature, at least. ...
The Grateful Dead, The Economy of Ideas, And Reconsidering the Notion of eBook Piracy
Two points.
1) I wonder how he has quantified this. I mean, what's the methodology? Given the extent to which all the major players load their editions up with DRM, I'm skeptical of the risk.
2) More importantly, however, I wonder how much of a detriment piracy actually is. Are we even correct in viewing piracy as something we actually want to avoid? There's evidence that piracy (in my view: free word-of-mouth) grows reputations and thus fuels legitimate sales.
So, the question: Do we need DRM? The Grateful Dead used to create a dedicated space at their concerts for people who wanted to record bootlegs of the band playing live. They encouraged the exercise and, in effect, gave away their work (their "content") for free. In turn, the band's reputation/fanbase grew exponentially.
As regards books, per Michael Shatzkin, there's little evidence file-sharing reduces sales. Shatzkin points to science fiction writer Cory Doctorow who "does the best he can to give away as much of his content as possible." The result? Doctorow's sales continue to boom.
I am reminded of a statement in "The Economy of Ideas," that seminal 1994 essay by Grateful Dead lyricist, EFF co-founder, Berkman Center Fellow, and (now) New Street Communications Editorial Advisory Board member John Perry Barlow: "The increasing difficulty of enforcing existing copyright and patent laws is already placing in peril the ultimate source of intellectual property - the free exchange of ideas ... unbounded intellectual property is very different from physical property and can no longer be protected as though these differences did not exist. ... if we continue to assume that value is based on scarcity, as it is with regard to physical objects, we will create laws that are precisely contrary to the nature of information, which may, in many cases, increase in value with distribution."
Here is Barlow making the same point - click the center "play" button: